Oppenheimer
Posted: Sun Jul 23, 2023 1:13 pm
I went to see Oppenheimer Friday. I was surprised by the crowd at the theater where I was and by the box office generally. I think the studio did a shrewd bait-and-switch with the marketing, suggesting that this would be another Christopher Nolan effects-driven film like Inception or Interstellar that should be seen on an IMAX or other super-wide screen. It's not. The special effects are somewhat minimal. The bombings of Hiroshima and Nagasaki are not shown (the characters at Los Alamos hear Truman announce the Hiroshima bombing on the radio). The desert test of the bomb is shown, and that scene is the most suspenseful in the film, even though the audience knows what's going to happen. But what they see is a decent-sized fireball in the middle of nowhere at night. Other than the test, most of the photography that benefits from IMAX is several outdoor shots at Los Alamos, showing the spectacular desert and mountain scenery around there. Oppenheimer also has visons/nightmares of nuclear explosions and their effects on human victims, but these are very brief, fragmentary shots.
The movie is brilliant. Terrific production values (expect a bunch of technical Oscar noms, sure Oscar nominations for Best Picture, Director, and Screenplay for Christopher Nolan, sure Oscar nomination for Cillian Murphy, and probable Oscar win for Robert Downey Jr., possible nomination for Emily Blunt. Although much of the movie concerns the development of the bomb, the test takes place two hours into a three-hour movie. The last hour concerns what happened to Oppenheimer after the war, and focuses on the hearing that led to the revocation of his security clearance (due to Communist "ties" in the 1930s) and another hearing involving the head of the Atomic Energy Commission, Leslie Strauss (played by Downey). Much of this is talking heads, but it's powerful drama and the closeups of Oppenheimer's and others' faces make the subtler aspects of the acting that much better.
Spock probably wouldn't like this film for many of the reasons he didn't like Dunkirk. The movie doesn't hold viewers' hands about introducing the many scientists involved in the project and what their importance was. Unlike many biographical dramas, there are no captions that appear identifying who each new character is. I had a fairly good knowledge of the Manahttan project before seeing the film and knew a lot going in, but for many people seeing the film, the only scientist they're going to recognize besides Oppenheimer is Albert Einstein. This dilutes the impact of some key moments. For escample, there is a dispute about whether to involve Russian scientists in the effort to develop the bomb ahead of the Nazis. They don't, but, right afterward (in the movie), they do invite some British scientists over to help. One of them is introduced right after this discussion is Klaus Fuchs. Most people watching probably didn't know that Fuchs was a Soviet spy who fed the information he received back to Moscow. So, the irony of the scene didn't register for them as it immediately did for me. The two main characters besides Oppenheimer are General Lesley Groves (played by Matt Damon), the military head of the project, responsible for logistics, and Strauss. I had never heard of him before seeing this movie, but he's the second most-important character in the film.
All in all a great example of old-fashioned, adult moviemaking without superheroes and tons of CGI effects.
The movie is brilliant. Terrific production values (expect a bunch of technical Oscar noms, sure Oscar nominations for Best Picture, Director, and Screenplay for Christopher Nolan, sure Oscar nomination for Cillian Murphy, and probable Oscar win for Robert Downey Jr., possible nomination for Emily Blunt. Although much of the movie concerns the development of the bomb, the test takes place two hours into a three-hour movie. The last hour concerns what happened to Oppenheimer after the war, and focuses on the hearing that led to the revocation of his security clearance (due to Communist "ties" in the 1930s) and another hearing involving the head of the Atomic Energy Commission, Leslie Strauss (played by Downey). Much of this is talking heads, but it's powerful drama and the closeups of Oppenheimer's and others' faces make the subtler aspects of the acting that much better.
Spock probably wouldn't like this film for many of the reasons he didn't like Dunkirk. The movie doesn't hold viewers' hands about introducing the many scientists involved in the project and what their importance was. Unlike many biographical dramas, there are no captions that appear identifying who each new character is. I had a fairly good knowledge of the Manahttan project before seeing the film and knew a lot going in, but for many people seeing the film, the only scientist they're going to recognize besides Oppenheimer is Albert Einstein. This dilutes the impact of some key moments. For escample, there is a dispute about whether to involve Russian scientists in the effort to develop the bomb ahead of the Nazis. They don't, but, right afterward (in the movie), they do invite some British scientists over to help. One of them is introduced right after this discussion is Klaus Fuchs. Most people watching probably didn't know that Fuchs was a Soviet spy who fed the information he received back to Moscow. So, the irony of the scene didn't register for them as it immediately did for me. The two main characters besides Oppenheimer are General Lesley Groves (played by Matt Damon), the military head of the project, responsible for logistics, and Strauss. I had never heard of him before seeing this movie, but he's the second most-important character in the film.
All in all a great example of old-fashioned, adult moviemaking without superheroes and tons of CGI effects.