Game #209: Movie Music
Posted: Mon Oct 03, 2022 8:39 am
Game #209: Movie Music
Identify the 75 songs in List A and the 75 movies in List B. (Every other movie clue is a quotation.) Then, form 50 triples according to a Tangredi, or principle you must discover for yourself.
All 50 triples are structured the same way, but half of them use one song and two movies, while the other half use one movie and two songs. No answer will be used twice
LIST A: SONGS
A-1. Knowing that love is to share
Each one believing that love never dies
Watching her eyes
And hoping I'm always there.
A-2. What I'd really like, Dad, is to borrow the car keys.
See you later. Can I have them, please?
A-3. There's a fire starting in my heart
Reaching a fever pitch, it's bringing me out the dark.
Finally I can see you crystal clear,
Go ahead and sell me out and I'll lay your ship bare.
A-4. Beware of the pat on the back,
It just might hold you back.
A-5. If I had a day that I could give you,
I'd give to you a day just like today.
If I had a song that I could sing for you,
I'd sing a song to make you feel this way.
A-6. Well, I called my congressman and he said, quote,
"I'd like to help you, son, but you're too young to vote."
A-7. I'd studied your cartoons, radio, music, TV, movies, magazines.
Richard said, "Withdrawal in disgust is not the same as apathy."
A smile like the cartoon, tooth for a tooth,
You said that irony was the shackles of youth.
A-8. Forget about your boyfriend and meet me at the hotel room,
You can bring your girlfriends and meet me at the hotel room.
A-9. The clothes she wears, her sexy ways
Make an old man wish for younger days,
She knows she's built and knows how to please,
Sure enough to knock a strong man to his knees.
A-10. A little part of it in everyone,
But every junkie's like a settin' sun.
A-11. Come run, run, run, run,
Everybody move, run,
Lemme see you move and rock it 'til the groove done,
Shake it 'til the moon becomes the sun.
A-12. Before the breathin' air is gone,
Before the sun is just a bright spot in the night-time,
Out where the rivers like to run
I stand alone and take back somethin' worth rememberin’.
A-13. And the sound of the battle rang
Through the streets of the old east side
'Til the last of the hoodlum gang
Had surrendered up or died.
A-14. Precious love, I'll give it to you
Blue as the sky and deep
In the eyes of a love so true.
A-15. You flash your bedroom eyes like a jumpin' jack,
You play it pretty with a pat on the back.
A-16. We have an old fashioned to-mah-to,
A Long Island po-tah-to.
A-17. Staggering through the daytime
Your image on my mind,
I'm passing so close beside you, baby
'Cause sometimes the feelings are so hard to hide.
A-18. It's a shame that all the blame is on us women,
It's not true that only you men feel the same,
From the start most every heart that's ever broken
Was because there always was a man to blame.
A-19. Too many lovers in one lifetime
Ain't good for you.
You treat me like a vision in the night,
Someone there to stand behind you
When your world ain't working right.
A-20. At first I thought it was infatuation
But woo, it's lasted so long.
Now I find myself wanting
To marry you and take you home.
A-21. I hear her voice in my mind,
I know her face by heart,
Heaven and earth are moving in my soul,
I don't know where to start.
A-22. I can't seem to face up to the facts,
I'm tense and nervous and I can't relax,
I can't sleep 'cause my bed's on fire,
Don't touch me, I'm a real live wire.
A-23. Faster than the speeding light, she's flying,
Trying to remember where it all began.
She's got herself a little piece of Heaven
Waiting for the time when Earth shall be as one.
A-24. It seems like only yesterday when I heard my little girl say,
"Daddy, there's a boy outside, his name is Rod.
He wants to play in our backyard.
Can he daddy? Can he daddy? Oh please daddy."
A-25. I know you know that I made those mistakes maybe once or twice.
By ‘once or twice,’ I mean maybe a couple a hundred times,
So let me, oh let me redeem, oh redeem, oh myself tonight
Cause I just need one more shot at second chances.
A-26. Why don't you ask him if he's going to stay?
Why don't you ask him if he's going away?
Why don't you tell me what's going on?
Why don't you tell me who's on the phone?
A-27. And I can remember
The last time I lied:
I was holding you and telling you
We could still be friends.
A-28. I never wanted to be your weekend lover,
I only wanted to be some kind of friend.
Baby, I could never steal you from another,
It's such a shame our friendship had to end.
A-29. We finally sold the Chevy when we had another baby
And you took that job in Tennessee.
You made friends at the farm
You'd join them at the bar
Almost every single day of the week.
A-30. When we met, it wasn't quite clear to me
What you had in store was there for only me.
Silly, you know you took me by surprise,
Then I turned and looked, I saw that message in your eye.
A-31. Now, my broken heart aches
With every wave that breaks.
A-32. I hear those ice cream bells and I start to drool,
Keep a couple quarts in my locker at school.
A-33. Through the storm we reach the shore,
You give it all but I want more
And I'm waiting for you.
A-34. One foot on the brake and one on the gas, hey!
Well, there's too much traffic, I can't pass!
So I tried my best illegal move,
A big black and white come and crushed my groove again!
A-35. Up to the moment
When we said our first hello,
Little did we know
Love was just a glance away,
A warm, embracing dance away.
A-36. In a café or sometimes on a crowded street
I've been near you, but you never noticed me.
A-37. But it's sad,
She doesn't love me now.
She's made it clear enough,
It ain't no good to pine.
A-38. Blank stares at blank pages
No easy way to say this
You mean well, but you make this hard on me.
A-39. A domesticated girl, that's all you ask of me.
Darling, it is no joke, this is lycanthropy.
A-40. There'll be lots of time and wine,
Red yellow honey, sassafras and moonshine.
A-41. I was an impossible case,
No-one ever could reach me,
But I think I can see in your face
There's a lot you can teach me.
A-42. There's a stranger in my bed,
There's a pounding in my head,
Glitter all over the room,
Pink flamingos in the pool,
I smell like a minibar,
DJ's passed out in the yard,
Barbies on the barbecue.
This a hickey or a bruise?
A-43. You're a big boy now,
You'll never let her go,
But that's just the kind of thing she ought to know.
A-44. Fifteen years old and smoking hand-rolled cigarettes,
Running from the law through the backfields
And getting drunk with my friends.
Had my first kiss on a Friday night,
I don't reckon that I did it right.
A-45. Well, I guess it would be nice
If I could touch your body,
I know not everybody has got a body like you,
But I gotta think twice
Before I give my heart away
And I know all the games you play
Because I played them, too.
A-46. You don't think of them as human,
You don't think of them at all,
You keep your mind on the money,
Keeping your eyes on the wall.
A-47. You know she was a dancer,
She moved better on wine.
While the rest of them dudes were gettin' their kicks,
Boy, I beg your pardon, I was gettin' mine.
A-48. Conversation is going 'round,
People talking 'bout the girl who's come to town,
Lovely lady, pretty as can be,
No one knows her name, she's just a mystery.
A-49. Take a little trip, take a little trip,
Take a little trip and see,
Take a little trip, take a little trip,
Take a little trip with me.
A-50. So if you find yourself in need,
Why don't you listen to these words of heed?
Be a giant or grain of sand,
Words of wisdom, ‘Yes, I can.’
A-51. Sweeter than wine,
Softer than the summer night,
Everything I want, I have
Whenever I hold you tight.
A-52. Slip inside the eye of your mind.
Don't you know you might find
A better place to play?
You said that you'd never been,
But all the things that you've seen
Slowly fade away.
A-53. Yeah, I was just thirteen, you might say I was a
Musical proverbial knee-high
When I heard a couple new-sounding tunes on the tubes
And they blasted me sky-high.
A-54. In the chilly hours and minutes of uncertainty,
I want to be
In the warm hold of your love and mine.
A-55. Married a guy and was living high,
I didn't want him to know her.
She had a grandson, two years old
That I never even showed her.
A-56. Najeneun ttasaroun inganjeogin yeoja
Keopi hanjanui yeoyureul aneun pumgyeok inneun yeoja
Bami omyeon simjangi tteugeowojineun yeoja
Geureon banjeon inneun yeoja.
A-57. We found the perfect love,
Yes, a love that's yours and mine.
I love you and love you me,
I love you and love you me,
We'll love each other, dear,
Forever.
A-58. It's all right, it's all right,
It's your money or your life.
It's all right, it's all right,
Don't need a sword to cut through flowers,
Oh no, oh no.
A-59. They took a ride, so baby, I went, too.
Stopped at the record hop, I had to be a sport.
We jumped and we did the slop,
Then you walked in, and I was caught.
A-60. Girl, let your hair down,
Take off your clothes
And leave on your shoes.
Would you mind if I look at you for a moment
Before I make sweet love?
A-61. I was raised by a toothless, bearded hag.
I was schooled with a strap right across my back.
A-62. We're coming to the edge,
Running on the water,
Coming through the fog,
Your sons and daughters.
A-63. You know my temperature's rising,
The jukebox blowing a fuse,
My heart's beating rhythm
And my soul keep a-singing the blues.
A-64. Holidays are joyful,
There's always something new,
But every day's a holiday
When I'm near to you.
A-65. The shadows high
On the darker side.
Behind the doors
It's a wilder ride.
A-66. The day he walked into my life he caught me with my guard down.
Don't let him talk his sweet talk on ya,
'Cause I've hit on the bait that he threw and I got hooked.
Don't let it happen to you.
A-67. Did they get you to trade
Your heroes for ghosts?
Hot ashes for trees?
Hot air for a cool breeze?
Cold comfort for change?
Did you exchange
A walk-on part in the war
For a leading role in a cage?
A-68. Then all at once he was standing there,
So sure of himself, his head in the air,
My heart was breaking, which one would it be?
You turned around and walked away with me.
A-69. Well, they tell me that I'm wanted,
Yeah, I'm a wanted man,
I'm a colt in your stable,
I'm what Cain was to Abel.
Mister, catch me if you can.
A-70. I want to run but there's nowhere to go
'Cause heartaches will follow me, I know.
Without your love, the love I need,
It's the beginning of the end for me.
A-71. You want me to act like we've never kissed,
You want me to forget,
Pretend we've never met
And I've tried and I've tried
But I haven't yet.
A-72. You know I thug 'em, f**k 'em, love 'em, leave 'em,
'Cause I don't f**kin' need 'em,
Take 'em out the hood, keep 'em lookin' good,
But I don't f**kin' feed 'em.
A-73. I've waited so long for the girl of my dreams to appear
And now I can't hardly believe that you really are here.
Here in my arms you belong.
How can this feeling be wrong?
A-74. I'll cross that bridge when I find it,
Another day to make my stand, whoa-whoa.
High time is no time for deciding
If I should find a helping hand, whoa-whoa.
A-75. Like a river flows
Surely to the sea,
Darling, so it goes,
Some things are meant to be.
LIST B: MOVIES
B-1. This film helped inspire a notorious event that took place on a Georgia mountain in 1915.
B-2. “This is when I know I'm helpless. My hands are down there on the bed. I can't put them on again without calling to somebody for help. I can't smoke a cigarette or read a book. If that door should blow shut, I can't open it and get out of this room. I'm as dependent as a baby that doesn't know how to get anything except to cry for it.”
B-3. This 1953 comedy introduced a character – played by the director – who would appear in three additional films over the next eighteen years.
B-4. “Our first game is called Well Begun is Half-Done.”
“I don't like the sound of that.”
“Otherwise titled Let's Tidy Up the Nursery. .”
“I told you she was tricky.”
B-5. Out of eight Oscar nominations for acting, directing, writing and producing, a distinguished British actor, director, writer, and producer won his only Oscar for this film.
B-6. “Aristotle was not Belgian, the principle of Buddhism is not ‘every man for himself,’ and the London Underground is not a political movement.”
B-7. One victim in this murder mystery was baked in an oven, a second was drowned in a lobster tank, and a third had his skull crushed in a duck press.
B-8. “On Wednesdays we wear pink!”
B-9. This oldest person to win an Oscar for acting did so for this film.
B-10. “I don't throw darts at a board. I bet on sure things. Read Sun-tzu, The Art of War. Every battle is won before it is ever fought.”
B-11. This was the fourth and final pairing of the stars who were known at the time as the King and Queen of Hollywood. (His nickname stuck, hers didn’t.)
B-12. “After fifteen minutes I wanted to marry her, and after half an hour I completely gave up the idea of stealing her purse.”
B-13. Though not a huge success, Kirk Douglas considered this neo-western his favorite among his films.
B-14. “This country and its institutions belong to the people who inhibit it.”
B-15. During the filming of this movie, the lead actor endured a separated shoulder, an accidental whipping, hypothermia, asphyxiation, and being struck by lightning.
B-16. “I sped. I followed too closely. I ran a stop sign. I almost hit a Chevy. I sped some more. I failed to yield at a crosswalk. I changed lanes at the intersection. I changed lanes without signaling while running a red light and speeding!”
“Is that all?”
“No. I have unpaid parking tickets. Be gentle.”
B-17. The title of this fantasy about the afterlife comes from Hamlet’s soliloquy. (Yes, that soliloquy.)
B-18. “Would you put on some clothes please?”
“Oh, I'm sorry. Is this bothering you?”
“No! It's not!”
“Cal, my schwantz is in your face for twenty minutes. If it's not bothering you, we've got a bigger problem.”
“Okay. It bothers me.”
“I don't care.”
B-19. This was the only boxing movie that John Huston – himself a former boxer – ever made.
B-20. “How about you and I passing out on the veranda; or would you rather pass out here?”
“Sir, you have the advantage of me.”
“Not yet I haven't, but wait till I get you outside.”
B-21. The third film in a franchise, it marked the last starring role for its leading man before he took on an important – though less lucrative – job in a very different field.
B-22. “Fat, drunk, and stupid is no way to go through life, son.”
B-23. In 1985, the 11-year-old star of this movie became the youngest person ever to win the Swedish Film Critics Award for Best Actor
B-24. “Someone hurt my friend Lloyd, and not just on his face. He is having a hard time forgiving the person who hurt him. Do you, do you know what that means? To forgive? It's a decision we make to release a person from the feelings of anger we have at them. It's strange, but sometimes it's hardest of all to forgive someone we love.”
B-25. This epic prompted Groucho Marx’s quip that he didn’t like movies where the man’s breasts were bigger than the woman’s.
B-26. “Six months later, my father told me he was gay. He had just turned 75.”
B-27. This movie completes an unfortunately short list that also includes A New Leaf, Mikey and Nicky … and Ishtar.
B-28. “If ya gotta be a nun, why ain't ya old and ugly? Why do ya gotta have big blue eyes ... and a beautiful smile ... and freckles?”
B-29. This was the second – and far less successful – film in which Julie Harris played a character created by Carson McCullers.
B-30. “What a clean old man!”
B-31. This musical featured Max Bialystock’s son in a performance that made his father’s acting look restrained.
B-32. “Father, you were right. It all works out. I guess God knows more about these things than we do. Somehow or other Cora paid for Nick's life with hers. And now I'm going to. Father, would you send up a prayer for me and Cora? And if you could find it in your heart ... make it that we're together, wherever it is.”
B-33. Willie Loman’s wife comes to an iconic – and uncredited – end in this movie.
B-34. “We got down on our knees to pray for strength. I smelled the whiskey on his breath. Then he took me. He took me, with the stink of filthy roadhouse whiskey on his breath, and I liked it. I liked it! With all that dirty touching of his hands all over me!”
B-35. A year after this biopic came out, Susan Blakely played its title character in an unrelated TV movie.
B-36. “I'm going to count to three. There will not be a four.”
B-37. The composer who began his career writing the score for Citizen Kane ended it by writing the score for this movie.
B-38. “Nice move. Did you make that up?”
“Yeah. Well, I saw it on TV first, then I made it up.”
B-39. This 1968 black comedy about a sweet teenager who – among other misdeeds – shoots her own mother has become a cult classic.
B-40. “We left Topeka/We left Eureka/We came to seek a career/Oh, we’re milkin’ applause instead of milkin’ a cow….”
B-41. Disneyland had planned an underwater attraction based on this animated film, but after it bombed at the box office, the plans were shelved.
B-42. “I meant no offense to you, Jane. I simply feel that well-brought up young girls shouldn't be permitted to have such intimate contact with all sorts of....”
“All sorts of boys who've lost their arms and legs? They're young, too, lots of them. But they weren't too young for that, Mrs. Hawkins, and I don't think breeding entered into it either.”
B-43. When the actors who played father and daughter in this movie had to film a sex scene together in a later movie, they got through their discomfort by trying "not to think about ... you know, geese."
B-44. “A golf course is nothing but a poolroom moved outdoors.”
B-45. The final film of a three-time Oscar-winning director, it was a remake of the first film for which he had received an Oscar nomination.
B-46. “Kill white folks and they pay you for it? What's not to like?”
B-47. The director of the preceding film famous stated, “When I’m getting serious about a girl, I show her [this western] and she better ****ing like it!” – which is either a great tribute to the movie, evidence that he’s an a**hole, or both.
B-48. “Dear God, thank you for all your blessings. You've given me so many things, like good health, nice parents, a nice truck, and what I'm told is a large penis.”
B-49. The woman who sang the theme for this Bond film had done so once before, and would do so once again.
B-50. “It seems that the Emperor of Byzantium - when he received people in audience - had a throne which, during the conversation, would rise mysteriously into the air to the consternation of his visitors. But as we are living in a democracy, I reverse the procedure. I don't rise, I come down.”
B-51. Despite being featured in the title, the Hollywood icon who returned to the big screen after a 30-year absence in this 1983 movie played only a supporting role.
B-52. “What's the matter with you? Playing footsie with the Commies!”
“You waving the flag, too?”
“Listen, I knew you since you was a little kid. You was always a regular kind of crook. I never figured you for a louse.”
“Stop, you're breaking my heart.”
“Even in our crummy line of business you gotta draw the line somewhere.”
B-53. The female leads in this romantic comedy were played by a busty Italian bombshell and Gidget.
B-54. “The exit signs have to be off or we're not gonna get a full blackout. We've spoken to the building manager and the fire marshal.”
“And?”
“They're absolutely no way they're letting us turn the exit signs off.”
“I'll pay whatever the fine is.”
“The fine is they're gonna come in and tell everyone to leave.”
“You explained to the fire marshal that we're in here changing the world?”
B-55. The 12-year-old star of this movie said she had no problem playing her nude scenes, but she was uncomfortable sharing a kiss with her 29-year-old co-star.
B-56. “A Puget Deb will tell you, ‘Don't worry about contraceptives. I've got that all taken care of.’ Don't believe it. A Puget Deb will do anything and say anything to trap you. I know this sounds silly, especially in this so-called modern age. But you scuzzy college pukes better watch out, because they're out there. And you are the answer to their dream!”
B-57. The first film released in Cinerama, it includes a sequence in which Colonel J. Algernon Hawthorne murders Benjy Benjamin.
B-58. “I've been kidnapped by Kmart!”
B-59. This was the first French film to net an Oscar nomination for its leading lady.
B-60. “With this money I can get away from you. From you and your chickens and your pies and your kitchens and everything that smells of grease. I can get away from this shack with its cheap furniture. And this town and its dollar days, and its women that wear uniforms and its men that wear overalls.”
B-61. Adding to the already exorbitant cost of this movie was the financial settlement paid to David Merrick allowing release the movie while the Broadway version was still running.
B-62. “Do you think Mighty Mouse could beat up Superman?”
B-63. The uncredited casting of sexy Linda Darnell in this movie aroused the ire of many Roman Catholics.
B-64. “They'll talk to ya and talk to ya and talk to ya about individual freedom. But they see a free individual, it's gonna scare 'em.”
B-65. One legacy of this wartime romance is that the song “Auld Lang Syne” became very popular in China.
B-66. “Why is it that there is a gun shop on almost every corner in this community?”
“Why?”
“I'll tell you why. For the same reason that there is a liquor store on almost every corner in the black community. Why? They want us to kill ourselves.”
B-67. Not notable for its historic accuracy, this 1939 western portrayed a onetime terrorist as a romantic Robin Hood.
B-68. “Listen for the crash of the cymbals.”
B-69. This pre-Code movie – the only movie I can think of in which its sultry star played a mother – is remembered for its 8-minute ‘Hot Voodoo’ jazz number.
B-70. “Do you know how to get rid of crabs?”
“No.”
“You got to shave one testicle, then all the crabs go over to the other testicle. You got to light the hair on fire on that one, and when they all go scurrying out, you take an icepick and you f**king stab every single last one of them.”
B-71. Based on a French graphic novel, this Czech-South Korean post-apocalyptic thriller was filmed in English. Got that?
B-72. “I wouldn't worry about this country if I were you. We got this thing licked. Where else in the world can a plain guy like me walk in and talk things over with the head man? ”
B-73. The big shocker in this 1992 film was spoiled by that year’s Oscar nominations for Best Supporting Actor – but by that time, most people knew it anyway.
B-74. “I could have killed 'em all, I could've killed you. In town you're the law, out here it's me. Don't push it! Don't push it or I'll give you a war you won't believe. Let it go. Let it go!”
B-75. The cast of this epic included God, Al Capone, Adolf Hitler, and the mothers of Hamlet and Jesus.
Identify the 75 songs in List A and the 75 movies in List B. (Every other movie clue is a quotation.) Then, form 50 triples according to a Tangredi, or principle you must discover for yourself.
All 50 triples are structured the same way, but half of them use one song and two movies, while the other half use one movie and two songs. No answer will be used twice
LIST A: SONGS
A-1. Knowing that love is to share
Each one believing that love never dies
Watching her eyes
And hoping I'm always there.
A-2. What I'd really like, Dad, is to borrow the car keys.
See you later. Can I have them, please?
A-3. There's a fire starting in my heart
Reaching a fever pitch, it's bringing me out the dark.
Finally I can see you crystal clear,
Go ahead and sell me out and I'll lay your ship bare.
A-4. Beware of the pat on the back,
It just might hold you back.
A-5. If I had a day that I could give you,
I'd give to you a day just like today.
If I had a song that I could sing for you,
I'd sing a song to make you feel this way.
A-6. Well, I called my congressman and he said, quote,
"I'd like to help you, son, but you're too young to vote."
A-7. I'd studied your cartoons, radio, music, TV, movies, magazines.
Richard said, "Withdrawal in disgust is not the same as apathy."
A smile like the cartoon, tooth for a tooth,
You said that irony was the shackles of youth.
A-8. Forget about your boyfriend and meet me at the hotel room,
You can bring your girlfriends and meet me at the hotel room.
A-9. The clothes she wears, her sexy ways
Make an old man wish for younger days,
She knows she's built and knows how to please,
Sure enough to knock a strong man to his knees.
A-10. A little part of it in everyone,
But every junkie's like a settin' sun.
A-11. Come run, run, run, run,
Everybody move, run,
Lemme see you move and rock it 'til the groove done,
Shake it 'til the moon becomes the sun.
A-12. Before the breathin' air is gone,
Before the sun is just a bright spot in the night-time,
Out where the rivers like to run
I stand alone and take back somethin' worth rememberin’.
A-13. And the sound of the battle rang
Through the streets of the old east side
'Til the last of the hoodlum gang
Had surrendered up or died.
A-14. Precious love, I'll give it to you
Blue as the sky and deep
In the eyes of a love so true.
A-15. You flash your bedroom eyes like a jumpin' jack,
You play it pretty with a pat on the back.
A-16. We have an old fashioned to-mah-to,
A Long Island po-tah-to.
A-17. Staggering through the daytime
Your image on my mind,
I'm passing so close beside you, baby
'Cause sometimes the feelings are so hard to hide.
A-18. It's a shame that all the blame is on us women,
It's not true that only you men feel the same,
From the start most every heart that's ever broken
Was because there always was a man to blame.
A-19. Too many lovers in one lifetime
Ain't good for you.
You treat me like a vision in the night,
Someone there to stand behind you
When your world ain't working right.
A-20. At first I thought it was infatuation
But woo, it's lasted so long.
Now I find myself wanting
To marry you and take you home.
A-21. I hear her voice in my mind,
I know her face by heart,
Heaven and earth are moving in my soul,
I don't know where to start.
A-22. I can't seem to face up to the facts,
I'm tense and nervous and I can't relax,
I can't sleep 'cause my bed's on fire,
Don't touch me, I'm a real live wire.
A-23. Faster than the speeding light, she's flying,
Trying to remember where it all began.
She's got herself a little piece of Heaven
Waiting for the time when Earth shall be as one.
A-24. It seems like only yesterday when I heard my little girl say,
"Daddy, there's a boy outside, his name is Rod.
He wants to play in our backyard.
Can he daddy? Can he daddy? Oh please daddy."
A-25. I know you know that I made those mistakes maybe once or twice.
By ‘once or twice,’ I mean maybe a couple a hundred times,
So let me, oh let me redeem, oh redeem, oh myself tonight
Cause I just need one more shot at second chances.
A-26. Why don't you ask him if he's going to stay?
Why don't you ask him if he's going away?
Why don't you tell me what's going on?
Why don't you tell me who's on the phone?
A-27. And I can remember
The last time I lied:
I was holding you and telling you
We could still be friends.
A-28. I never wanted to be your weekend lover,
I only wanted to be some kind of friend.
Baby, I could never steal you from another,
It's such a shame our friendship had to end.
A-29. We finally sold the Chevy when we had another baby
And you took that job in Tennessee.
You made friends at the farm
You'd join them at the bar
Almost every single day of the week.
A-30. When we met, it wasn't quite clear to me
What you had in store was there for only me.
Silly, you know you took me by surprise,
Then I turned and looked, I saw that message in your eye.
A-31. Now, my broken heart aches
With every wave that breaks.
A-32. I hear those ice cream bells and I start to drool,
Keep a couple quarts in my locker at school.
A-33. Through the storm we reach the shore,
You give it all but I want more
And I'm waiting for you.
A-34. One foot on the brake and one on the gas, hey!
Well, there's too much traffic, I can't pass!
So I tried my best illegal move,
A big black and white come and crushed my groove again!
A-35. Up to the moment
When we said our first hello,
Little did we know
Love was just a glance away,
A warm, embracing dance away.
A-36. In a café or sometimes on a crowded street
I've been near you, but you never noticed me.
A-37. But it's sad,
She doesn't love me now.
She's made it clear enough,
It ain't no good to pine.
A-38. Blank stares at blank pages
No easy way to say this
You mean well, but you make this hard on me.
A-39. A domesticated girl, that's all you ask of me.
Darling, it is no joke, this is lycanthropy.
A-40. There'll be lots of time and wine,
Red yellow honey, sassafras and moonshine.
A-41. I was an impossible case,
No-one ever could reach me,
But I think I can see in your face
There's a lot you can teach me.
A-42. There's a stranger in my bed,
There's a pounding in my head,
Glitter all over the room,
Pink flamingos in the pool,
I smell like a minibar,
DJ's passed out in the yard,
Barbies on the barbecue.
This a hickey or a bruise?
A-43. You're a big boy now,
You'll never let her go,
But that's just the kind of thing she ought to know.
A-44. Fifteen years old and smoking hand-rolled cigarettes,
Running from the law through the backfields
And getting drunk with my friends.
Had my first kiss on a Friday night,
I don't reckon that I did it right.
A-45. Well, I guess it would be nice
If I could touch your body,
I know not everybody has got a body like you,
But I gotta think twice
Before I give my heart away
And I know all the games you play
Because I played them, too.
A-46. You don't think of them as human,
You don't think of them at all,
You keep your mind on the money,
Keeping your eyes on the wall.
A-47. You know she was a dancer,
She moved better on wine.
While the rest of them dudes were gettin' their kicks,
Boy, I beg your pardon, I was gettin' mine.
A-48. Conversation is going 'round,
People talking 'bout the girl who's come to town,
Lovely lady, pretty as can be,
No one knows her name, she's just a mystery.
A-49. Take a little trip, take a little trip,
Take a little trip and see,
Take a little trip, take a little trip,
Take a little trip with me.
A-50. So if you find yourself in need,
Why don't you listen to these words of heed?
Be a giant or grain of sand,
Words of wisdom, ‘Yes, I can.’
A-51. Sweeter than wine,
Softer than the summer night,
Everything I want, I have
Whenever I hold you tight.
A-52. Slip inside the eye of your mind.
Don't you know you might find
A better place to play?
You said that you'd never been,
But all the things that you've seen
Slowly fade away.
A-53. Yeah, I was just thirteen, you might say I was a
Musical proverbial knee-high
When I heard a couple new-sounding tunes on the tubes
And they blasted me sky-high.
A-54. In the chilly hours and minutes of uncertainty,
I want to be
In the warm hold of your love and mine.
A-55. Married a guy and was living high,
I didn't want him to know her.
She had a grandson, two years old
That I never even showed her.
A-56. Najeneun ttasaroun inganjeogin yeoja
Keopi hanjanui yeoyureul aneun pumgyeok inneun yeoja
Bami omyeon simjangi tteugeowojineun yeoja
Geureon banjeon inneun yeoja.
A-57. We found the perfect love,
Yes, a love that's yours and mine.
I love you and love you me,
I love you and love you me,
We'll love each other, dear,
Forever.
A-58. It's all right, it's all right,
It's your money or your life.
It's all right, it's all right,
Don't need a sword to cut through flowers,
Oh no, oh no.
A-59. They took a ride, so baby, I went, too.
Stopped at the record hop, I had to be a sport.
We jumped and we did the slop,
Then you walked in, and I was caught.
A-60. Girl, let your hair down,
Take off your clothes
And leave on your shoes.
Would you mind if I look at you for a moment
Before I make sweet love?
A-61. I was raised by a toothless, bearded hag.
I was schooled with a strap right across my back.
A-62. We're coming to the edge,
Running on the water,
Coming through the fog,
Your sons and daughters.
A-63. You know my temperature's rising,
The jukebox blowing a fuse,
My heart's beating rhythm
And my soul keep a-singing the blues.
A-64. Holidays are joyful,
There's always something new,
But every day's a holiday
When I'm near to you.
A-65. The shadows high
On the darker side.
Behind the doors
It's a wilder ride.
A-66. The day he walked into my life he caught me with my guard down.
Don't let him talk his sweet talk on ya,
'Cause I've hit on the bait that he threw and I got hooked.
Don't let it happen to you.
A-67. Did they get you to trade
Your heroes for ghosts?
Hot ashes for trees?
Hot air for a cool breeze?
Cold comfort for change?
Did you exchange
A walk-on part in the war
For a leading role in a cage?
A-68. Then all at once he was standing there,
So sure of himself, his head in the air,
My heart was breaking, which one would it be?
You turned around and walked away with me.
A-69. Well, they tell me that I'm wanted,
Yeah, I'm a wanted man,
I'm a colt in your stable,
I'm what Cain was to Abel.
Mister, catch me if you can.
A-70. I want to run but there's nowhere to go
'Cause heartaches will follow me, I know.
Without your love, the love I need,
It's the beginning of the end for me.
A-71. You want me to act like we've never kissed,
You want me to forget,
Pretend we've never met
And I've tried and I've tried
But I haven't yet.
A-72. You know I thug 'em, f**k 'em, love 'em, leave 'em,
'Cause I don't f**kin' need 'em,
Take 'em out the hood, keep 'em lookin' good,
But I don't f**kin' feed 'em.
A-73. I've waited so long for the girl of my dreams to appear
And now I can't hardly believe that you really are here.
Here in my arms you belong.
How can this feeling be wrong?
A-74. I'll cross that bridge when I find it,
Another day to make my stand, whoa-whoa.
High time is no time for deciding
If I should find a helping hand, whoa-whoa.
A-75. Like a river flows
Surely to the sea,
Darling, so it goes,
Some things are meant to be.
LIST B: MOVIES
B-1. This film helped inspire a notorious event that took place on a Georgia mountain in 1915.
B-2. “This is when I know I'm helpless. My hands are down there on the bed. I can't put them on again without calling to somebody for help. I can't smoke a cigarette or read a book. If that door should blow shut, I can't open it and get out of this room. I'm as dependent as a baby that doesn't know how to get anything except to cry for it.”
B-3. This 1953 comedy introduced a character – played by the director – who would appear in three additional films over the next eighteen years.
B-4. “Our first game is called Well Begun is Half-Done.”
“I don't like the sound of that.”
“Otherwise titled Let's Tidy Up the Nursery. .”
“I told you she was tricky.”
B-5. Out of eight Oscar nominations for acting, directing, writing and producing, a distinguished British actor, director, writer, and producer won his only Oscar for this film.
B-6. “Aristotle was not Belgian, the principle of Buddhism is not ‘every man for himself,’ and the London Underground is not a political movement.”
B-7. One victim in this murder mystery was baked in an oven, a second was drowned in a lobster tank, and a third had his skull crushed in a duck press.
B-8. “On Wednesdays we wear pink!”
B-9. This oldest person to win an Oscar for acting did so for this film.
B-10. “I don't throw darts at a board. I bet on sure things. Read Sun-tzu, The Art of War. Every battle is won before it is ever fought.”
B-11. This was the fourth and final pairing of the stars who were known at the time as the King and Queen of Hollywood. (His nickname stuck, hers didn’t.)
B-12. “After fifteen minutes I wanted to marry her, and after half an hour I completely gave up the idea of stealing her purse.”
B-13. Though not a huge success, Kirk Douglas considered this neo-western his favorite among his films.
B-14. “This country and its institutions belong to the people who inhibit it.”
B-15. During the filming of this movie, the lead actor endured a separated shoulder, an accidental whipping, hypothermia, asphyxiation, and being struck by lightning.
B-16. “I sped. I followed too closely. I ran a stop sign. I almost hit a Chevy. I sped some more. I failed to yield at a crosswalk. I changed lanes at the intersection. I changed lanes without signaling while running a red light and speeding!”
“Is that all?”
“No. I have unpaid parking tickets. Be gentle.”
B-17. The title of this fantasy about the afterlife comes from Hamlet’s soliloquy. (Yes, that soliloquy.)
B-18. “Would you put on some clothes please?”
“Oh, I'm sorry. Is this bothering you?”
“No! It's not!”
“Cal, my schwantz is in your face for twenty minutes. If it's not bothering you, we've got a bigger problem.”
“Okay. It bothers me.”
“I don't care.”
B-19. This was the only boxing movie that John Huston – himself a former boxer – ever made.
B-20. “How about you and I passing out on the veranda; or would you rather pass out here?”
“Sir, you have the advantage of me.”
“Not yet I haven't, but wait till I get you outside.”
B-21. The third film in a franchise, it marked the last starring role for its leading man before he took on an important – though less lucrative – job in a very different field.
B-22. “Fat, drunk, and stupid is no way to go through life, son.”
B-23. In 1985, the 11-year-old star of this movie became the youngest person ever to win the Swedish Film Critics Award for Best Actor
B-24. “Someone hurt my friend Lloyd, and not just on his face. He is having a hard time forgiving the person who hurt him. Do you, do you know what that means? To forgive? It's a decision we make to release a person from the feelings of anger we have at them. It's strange, but sometimes it's hardest of all to forgive someone we love.”
B-25. This epic prompted Groucho Marx’s quip that he didn’t like movies where the man’s breasts were bigger than the woman’s.
B-26. “Six months later, my father told me he was gay. He had just turned 75.”
B-27. This movie completes an unfortunately short list that also includes A New Leaf, Mikey and Nicky … and Ishtar.
B-28. “If ya gotta be a nun, why ain't ya old and ugly? Why do ya gotta have big blue eyes ... and a beautiful smile ... and freckles?”
B-29. This was the second – and far less successful – film in which Julie Harris played a character created by Carson McCullers.
B-30. “What a clean old man!”
B-31. This musical featured Max Bialystock’s son in a performance that made his father’s acting look restrained.
B-32. “Father, you were right. It all works out. I guess God knows more about these things than we do. Somehow or other Cora paid for Nick's life with hers. And now I'm going to. Father, would you send up a prayer for me and Cora? And if you could find it in your heart ... make it that we're together, wherever it is.”
B-33. Willie Loman’s wife comes to an iconic – and uncredited – end in this movie.
B-34. “We got down on our knees to pray for strength. I smelled the whiskey on his breath. Then he took me. He took me, with the stink of filthy roadhouse whiskey on his breath, and I liked it. I liked it! With all that dirty touching of his hands all over me!”
B-35. A year after this biopic came out, Susan Blakely played its title character in an unrelated TV movie.
B-36. “I'm going to count to three. There will not be a four.”
B-37. The composer who began his career writing the score for Citizen Kane ended it by writing the score for this movie.
B-38. “Nice move. Did you make that up?”
“Yeah. Well, I saw it on TV first, then I made it up.”
B-39. This 1968 black comedy about a sweet teenager who – among other misdeeds – shoots her own mother has become a cult classic.
B-40. “We left Topeka/We left Eureka/We came to seek a career/Oh, we’re milkin’ applause instead of milkin’ a cow….”
B-41. Disneyland had planned an underwater attraction based on this animated film, but after it bombed at the box office, the plans were shelved.
B-42. “I meant no offense to you, Jane. I simply feel that well-brought up young girls shouldn't be permitted to have such intimate contact with all sorts of....”
“All sorts of boys who've lost their arms and legs? They're young, too, lots of them. But they weren't too young for that, Mrs. Hawkins, and I don't think breeding entered into it either.”
B-43. When the actors who played father and daughter in this movie had to film a sex scene together in a later movie, they got through their discomfort by trying "not to think about ... you know, geese."
B-44. “A golf course is nothing but a poolroom moved outdoors.”
B-45. The final film of a three-time Oscar-winning director, it was a remake of the first film for which he had received an Oscar nomination.
B-46. “Kill white folks and they pay you for it? What's not to like?”
B-47. The director of the preceding film famous stated, “When I’m getting serious about a girl, I show her [this western] and she better ****ing like it!” – which is either a great tribute to the movie, evidence that he’s an a**hole, or both.
B-48. “Dear God, thank you for all your blessings. You've given me so many things, like good health, nice parents, a nice truck, and what I'm told is a large penis.”
B-49. The woman who sang the theme for this Bond film had done so once before, and would do so once again.
B-50. “It seems that the Emperor of Byzantium - when he received people in audience - had a throne which, during the conversation, would rise mysteriously into the air to the consternation of his visitors. But as we are living in a democracy, I reverse the procedure. I don't rise, I come down.”
B-51. Despite being featured in the title, the Hollywood icon who returned to the big screen after a 30-year absence in this 1983 movie played only a supporting role.
B-52. “What's the matter with you? Playing footsie with the Commies!”
“You waving the flag, too?”
“Listen, I knew you since you was a little kid. You was always a regular kind of crook. I never figured you for a louse.”
“Stop, you're breaking my heart.”
“Even in our crummy line of business you gotta draw the line somewhere.”
B-53. The female leads in this romantic comedy were played by a busty Italian bombshell and Gidget.
B-54. “The exit signs have to be off or we're not gonna get a full blackout. We've spoken to the building manager and the fire marshal.”
“And?”
“They're absolutely no way they're letting us turn the exit signs off.”
“I'll pay whatever the fine is.”
“The fine is they're gonna come in and tell everyone to leave.”
“You explained to the fire marshal that we're in here changing the world?”
B-55. The 12-year-old star of this movie said she had no problem playing her nude scenes, but she was uncomfortable sharing a kiss with her 29-year-old co-star.
B-56. “A Puget Deb will tell you, ‘Don't worry about contraceptives. I've got that all taken care of.’ Don't believe it. A Puget Deb will do anything and say anything to trap you. I know this sounds silly, especially in this so-called modern age. But you scuzzy college pukes better watch out, because they're out there. And you are the answer to their dream!”
B-57. The first film released in Cinerama, it includes a sequence in which Colonel J. Algernon Hawthorne murders Benjy Benjamin.
B-58. “I've been kidnapped by Kmart!”
B-59. This was the first French film to net an Oscar nomination for its leading lady.
B-60. “With this money I can get away from you. From you and your chickens and your pies and your kitchens and everything that smells of grease. I can get away from this shack with its cheap furniture. And this town and its dollar days, and its women that wear uniforms and its men that wear overalls.”
B-61. Adding to the already exorbitant cost of this movie was the financial settlement paid to David Merrick allowing release the movie while the Broadway version was still running.
B-62. “Do you think Mighty Mouse could beat up Superman?”
B-63. The uncredited casting of sexy Linda Darnell in this movie aroused the ire of many Roman Catholics.
B-64. “They'll talk to ya and talk to ya and talk to ya about individual freedom. But they see a free individual, it's gonna scare 'em.”
B-65. One legacy of this wartime romance is that the song “Auld Lang Syne” became very popular in China.
B-66. “Why is it that there is a gun shop on almost every corner in this community?”
“Why?”
“I'll tell you why. For the same reason that there is a liquor store on almost every corner in the black community. Why? They want us to kill ourselves.”
B-67. Not notable for its historic accuracy, this 1939 western portrayed a onetime terrorist as a romantic Robin Hood.
B-68. “Listen for the crash of the cymbals.”
B-69. This pre-Code movie – the only movie I can think of in which its sultry star played a mother – is remembered for its 8-minute ‘Hot Voodoo’ jazz number.
B-70. “Do you know how to get rid of crabs?”
“No.”
“You got to shave one testicle, then all the crabs go over to the other testicle. You got to light the hair on fire on that one, and when they all go scurrying out, you take an icepick and you f**king stab every single last one of them.”
B-71. Based on a French graphic novel, this Czech-South Korean post-apocalyptic thriller was filmed in English. Got that?
B-72. “I wouldn't worry about this country if I were you. We got this thing licked. Where else in the world can a plain guy like me walk in and talk things over with the head man? ”
B-73. The big shocker in this 1992 film was spoiled by that year’s Oscar nominations for Best Supporting Actor – but by that time, most people knew it anyway.
B-74. “I could have killed 'em all, I could've killed you. In town you're the law, out here it's me. Don't push it! Don't push it or I'll give you a war you won't believe. Let it go. Let it go!”
B-75. The cast of this epic included God, Al Capone, Adolf Hitler, and the mothers of Hamlet and Jesus.
